My activity as an interior designer was born of an artistic approach rather than an architectural one as far as space is concerned.The term space, as spatial structure, influences and determined my first relationship with a place.

The design intuition which comes of it must then interrelate with the environment you want to create, in which you must take account of the differences of who is going to live there, that is: the geographical and psycho-socio-cultural roots, behavior and persuasions, manias and phobias, dreams … without forgetting the “secret gardens of his/her inner world”. In my vision, the interior designer plays a fascinating role as complex and delicate.

The interior designer must reconcile the design culture of the space: existing or pre-existent architectural structure, considering the tradition and the “experience” of the place, the style etc, with the functional and aesthetic needs of the one who will live for the first time the same place.

My approach is meant to be of an eclectic nature, visionary and independent of architectural and interior designer prejudice. My sensitivity in relation to places and their previous lives, my aptitude and capacity in using the diverse chromatic shades from pastel to intense colour, are what constitute the strong points in my work.

My activity as an interior designer was born of an artistic approach rather than an architectural one as far as space is concerned.The term space, as spatial structure, influences and determined my first relationship with a place.

The design intuition which comes of it must then interrelate with the environment you want to create, in which you must take account of the differences of who is going to live there, that is: the geographical and psycho-socio-cultural roots, behavior and persuasions, manias and phobias, dreams … without forgetting the “secret gardens of his/her inner world”. In my vision, the interior designer plays a fascinating role as complex and delicate.

The interior designer must reconcile the design culture of the space: existing or pre-existent architectural structure, considering the tradition and the “experience” of the place, the style etc, with the functional and aesthetic needs of the one who will live for the first time the same place.

My approach is meant to be of an eclectic nature, visionary and independent of architectural and interior designer prejudice. My sensitivity in relation to places and their previous lives, my aptitude and capacity in using the diverse chromatic shades from pastel to intense colour, are what constitute the strong points in my work.

Anna Gili Wonderloft

WONDERFLOFT

The renovated loft is a former industrial complex, in Milan.
It is an open space full of signs and symbols that telling its style. A space where color predominates, which has a precise meaning:

“These colors are not random, fuchsia, blue, yellow have something to do with India: I like the Orient and my things reflect this kind of. I also love the contrast of these strong colors with the absolute white of the walls, for me it is a necessity to live in relation to color, because I think that living is a creative fact. “

The first thing you notice when you enter the house is the kitchen with colored glass doors, which mention Mondrian, created by Valcucine: an open kitchen, unusually positioned in the center of the house and the absolute protagonist of the space. 

The house revolves around a central patio, inspired by the impluvium of the houses of ancient Rome: it was designed to capture all the light possible on the two floors. 

A.G.Interview by A. Burigana, Italian Designers at Home book

Anna Gili Wonderloft

WONDERFLOFT

The renovated loft is a former industrial complex, in Milan.
It is an open space full of signs and symbols that telling its style. A space where color predominates, which has a precise meaning:

“These colors are not random, fuchsia, blue, yellow have something to do with India: I like the Orient and my things reflect this kind of. I also love the contrast of these strong colors with the absolute white of the walls, for me it is a necessity to live in relation to color, because I think that living is a creative fact. “

The first thing you notice when you enter the house is the kitchen with colored glass doors, which mention Mondrian, created by Valcucine: an open kitchen, unusually positioned in the center of the house and the absolute protagonist of the space. 

The house revolves around a central patio, inspired by the impluvium of the houses of ancient Rome: it was designed to capture all the light possible on the two floors. 

A.G.Interview by A. Burigana, Italian Designers at Home book