“Each object has a story that is part of the bigger story …”This original way of thinking about design, places Anna’s work in the world of art design, as it manifests itself in the genesis of her work.

Anna Gili’s design does not represent a status which flaunts the style of an era, on the contrary, it slips away from its epochal collocation because it breaks through and crosses the barriers of time and space through the narrative forms of how she sees and talks about design.

It is, in reality, a story which becomes manifest through objects and installations, taking us to the outer boundaries of the same discipline, with an inverse process in which narration becomes the real form of the artifacts.

“Each object has a story that is part of the bigger story …”This original way of thinking about design, places Anna’s work in the world of art design, as it manifests itself in the genesis of her work.

Anna Gili’s design does not represent a status which flaunts the style of an era, on the contrary, it slips away from its epochal collocation because it breaks through and crosses the barriers of time and space through the narrative forms of how she sees and talks about design.

It is, in reality, a story which becomes manifest through objects and installations, taking us to the outer boundaries of the same discipline, with an inverse process in which narration becomes the real form of the artifacts.